STORY FORMAT: 14s / 150 BPM / MULTI-CUT / American dark comedy with absurd melodrama / 1970s Hong Kong supernatural visual flavor hybrid TONE: mysterious suspicion → dramatic investigation → shocking reveal → awkward escape → absurd dark humor payoff SETTING: Early Republic of China era siheyuan mansion, dim interior lighting, antique furniture mixed with odd Western decor, slightly eerie but stylized atmosphere CHARACTERS: Orange cat taoist: wearing a grey daoist robe and traditional hat, composed but secretly dramatic, sharp instincts with comedic timing Hyena warlord: wearing a Republic-era military uniform, authoritative but increasingly confused White cat (pregnant): wearing a soft pink maternity outfit, sweating, groaning in distress on an antique chair beside a plaster Venus statue Gray cat maid: wearing a pale purple servant outfit, standing stiffly nearby, expression dark and unreadable Black bear gardener: large, wearing simple work clothes, holding oversized garden shears, unintentionally suspicious presence Evil baby black bear: visible only through x-ray vision, small but with an intense, menacing glare CAMERA STYLE: fast zoom-ins, dramatic push-ins, comedic timing cuts, exaggerated reaction shots, slight handheld shake, surreal glow effects SCENE 0–2s Wide shot: The orange cat taoist enters the grand hall of a siheyuan, led by the hyena warlord The room is oddly decorated—traditional furniture mixed with a plaster Venus statue 2–4s Cut to: The white cat sits painfully on an antique chair, clutching her belly, breathing heavily The gray cat maid stands beside her, completely still, watching Hyena (low, serious tone): “She’s been screaming every night… ever since the pregnancy.” He leans closer “You think something… got into her?” 4–6s Slow push-in: Orange cat steps forward calmly He pulls out a single leaf He raises it and covers his eyes Beat Then slowly removes it 6–8s Close-up: His eyes BURST into glowing golden light Sound: low supernatural hum POV shot: X-ray vision activates The white cat’s belly becomes semi-transparent— Inside: a tiny black bear baby… staring back with a terrifying, fully aware expression Its eyes narrow It LOCKS gaze with the orange cat Beat of silence 8–9s Cut to orange cat’s face His expression freezes… then shifts into pure awkward discomfort 9–10s He turns slowly to the hyena Orange cat (dry, uneasy): “General… I’m gonna be honest with you.” Beat “That’s… above my pay grade.” 10–11s He immediately turns and walks out No hesitation 11–12s Exterior – front courtyard garden The orange cat walks out quickly, trying to stay composed The hyena follows, confused Hyena: “Wait—what did you see?!” 12–13s They pass a black bear gardener trimming roses with oversized shears SNIP. SNIP. The orange cat slows down… glances at him 13–14s He gently taps the black bear’s shoulder Orange cat (grinning): “Man… you’ve been busy.” The black bear freezes Slow turn toward camera Black bear (panicking): “I SWEAR I DIDN’T PLAN THIS!!”

Use rough pencil sketch storyboards as visual references. Use the storyboards only for composition, camera angles, hand movements, food placement, and cooking continuity, and convert the final video into a full-color, high-quality Japanese 2D anime cooking video. Do not retain the appearance of black-and-white pencil sketches in the final video. As a 15-second high-quality Japanese 2D anime cooking video, depict a sinfully indulgent raen contimentae r. Full-color anime style, vibrant and appetite-stimulating anime colors, fast-paced editing, quick-tempo cuts. However, not fast cooking, not sped-up cooking, and not time-lapse cooking. Make each cooking action easy to read, physically natural, and handle hand movements with care. Maintain natural tool handling and clear food continuity. No live-action, no photorealism, no 3D CGI, no game-like style, no subtitles, no text, no logos, no watermarks, no narration, no dialogue, no BGM. The food is the star, and a character appears only at the end to happily take a bite. Chronological Action Sequence (0:00 - 0:15): [0:00 - 0:02] The Teaser: Extreme macro close-up of a finished bowl of shoyu ramen. Thick, volumetric steam billows gracefully. The camera focuses on the glossy surface of an ajitama (marinated egg) and a crisp sheet of nori. [0:02 - 0:03] The Prep: Quick cut to a close-up of a chef's hand swiftly slicing a thick, juicy roll of chashu pork belly on a wooden cutting board with a heavy knife. [0:03 - 0:04] The Boil: Low-angle dynamic shot. A teppo (noodle basket) filled with raw yellow noodles is plunged into a roaring pot of boiling water. A massive cloud of steam erupts toward the lens. [0:04 - 0:05] The Base: Extreme close-up. A ladle pours a thick, dark, glossy tare (soy sauce base) into the bottom of a pristine ceramic bowl. [0:05 - 0:06] The Shake: Fast-motion cut. The noodle basket is pulled from the water and vigorously shaken twice. Drops of hot water fly off the noodles in slow-motion anime style. [0:06 - 0:07] The Fold: Close-up of chopsticks gracefully sliding the perfectly cooked, steaming noodles out of the basket, folding them neatly into the bowl of tare. [0:07 - 0:08] The Sear: Extreme close-up of a blue kitchen blowtorch flame blasting the surface of the chashu slices. The fat aggressively sizzles, pops, and chars. [0:08 - 0:10] The Broth: Slow-motion beauty shot. A ladle pours golden, steaming, rich pork broth over the folded noodles. The broth swirls and mixes dynamically with the dark tare at the bottom. [0:10 - 0:11] The Assembly: Rapid montage cuts. Chopsticks perfectly place the charred chashu, crisp bamboo shoots, and bright green scallions on top of the noodles. The ajitama is dropped gently into the broth, making a tiny ripple. [0:11 - 0:13] The Bite: Camera pulls back slightly. A cute, heavily stylized anime supporting character grabs a massive pinch of noodles with chopsticks, lifts them high, and happily slurps them up. [0:13 - 0:15] The Climax: Final extreme macro shot zooming into the bowl. The camera pushes past the noodles into the rich, oily broth, landing perfectly on the ajitama as it is sliced open, revealing a gooey, glowing orange, molten egg yolk. Emphasize the sizzle of oil, steam, glossy sauce, juicy meat, crispy textures, soft textures, and rich ASMR sensations. Make the cooking process physically natural. Preserve a stable cutting board, safe hand positions, the patty searing in contact with the griddle, cheese melting from heat, sauce flowing with gravity, and steam rising upward from the hot food. Show it with fast-paced editing for good tempo, but make all cooking actions easy to read and clear.

Subject: Same girl. Long dark wavy hair, Japanese streetwear. 26mm phone lens, deep focus, realistic skin texture, mild HDR, neutral iPhone color science, unedited candid, no cinematic grading, no studio lighting, no light trails, no motion blur effects. (0:00–0:01) — walking shot, Tokyo Tower reveal Selfie, low angle. Tower behind her, sky overexposed. Natural smile. Neutral daylight, deep focus. Dialogue: "Okay… we're in Tokyo…!" Transition: Hard cut / beat drop (0:01–0:02) — Shibuya Crossing Mid-stride into crowd. Turns head toward camera. Neon signs sharp behind her. Real night exposure. Transition: Fast cut on beat (0:02–0:03) — Convenience Store Holds onigiri up to camera, eyebrows raised. Harsh fluorescent interior. Cool white light, realistic skin. Transition: Snap cut on beat (0:03–0:04) — Yoyogi Park Seated, looking away. Dappled light, lens smudge visible. Music drops one beat — wind, birds — snaps back. Transition: Cut on natural movement (0:04–0:06) — Takoyaki Reaction Bites, eyes wide, pulls back laughing. Warm practical lantern light. Realistic skin in amber. Dialogue: "It's so hot — oh my god." Transition: Cut on laugh end (0:06–0:07) — Vending Machine Night Stands before glowing vending machine. Mixed LED light on face. Slight smirk. No glow fx. Transition: Single beat cut (0:07–0:08) — Train Window Face reflected in window. City blurred naturally outside. She looks out, not at camera. Transition: Snap cut (0:08–0:09) — Torii Gate Low angle. Walks toward and through shrine gate. Gate fills top of frame. Natural daylight. Transition: Snap cut (0:09–0:11) — Digital Light Exhibit ★ SIGNATURE Looks up slowly. Blue, violet, gold projection on face. Rack focus — face sharp, lights diffused. Just projection on skin, no bloom. Speed: ~60% slow motion Transition: Soft cut mid-upward motion (0:11–0:12) — Gundam Reveal Face → camera tilts up → full statue in frame. Small impressed smile. Wide angle, natural daylight. Transition: Sharp cut after smile (0:12–0:13) — Lantern Alley Follow from behind. Lanterns warm, shadows dark. Natural low light. She glances back once. Transition: Cut on forward movement (0:13–0:14) — Rooftop Skyline Close selfie → arm extends → skyline revealed. Wind moves hair. Natural night phone exposure. Dialogue: "I don't think I've ever seen anything like this." Transition: Hard cut on last word (0:14–0:16) — Nara Deer Park, She crouches, holds out a deer cracker. Deer bows toward her — she bursts out laughing. Another nudges her from behind, she nearly topples. Handheld, slightly off-balance. All real. Dialogue: "Wait— oh my god he actually bowed—" Transition: Fade to black

A cinematic realistic action scene in an underground metro station, 16:9 widescreen, about 6 seconds long. A tired, rugged man wearing a worn olive-green jacket, dark shirt, and backpack is running desperately along the edge of the subway platform, trying to catch a metro train that is leaving the station. The station has curved white tiled walls, fluorescent ceiling lights, orange benches, a dark tunnel, and a gritty European subway atmosphere. The camera tracks backward in front of the man at chest height, handheld and slightly shaky, using a wide-angle cinematic lens. The man runs toward the camera with heavy breathing, sweat on his face, anxious eyes, and a determined but exhausted expression. Behind him and beside him, a white-and-teal metro train rushes past at high speed, creating strong motion blur, wind, and a sense of urgency. The train doors are already closed, and the man is clearly too late. As the train accelerates away from the platform, its rear lights disappear into the dark tunnel. The man gradually slows down, realizing he has missed it. He stops in the middle of the platform, bends forward with his hands on his knees, gasping for air, chest rising and falling heavily. After a brief pause, he slowly lifts his head and stares toward the direction where the train disappeared, with a look of frustration, disbelief, and defeat. Highly realistic motion, natural running physics, cinematic lighting, dramatic subway atmosphere, dynamic camera movement, realistic facial expressions, detailed clothing movement, subtle sweat and exhaustion, strong depth of field, high-quality film look, immersive soundless visual storytelling, no cuts, continuous shot. Negative prompt: cartoon style, animation, low quality, blurry face, distorted body, extra limbs, duplicated person, unnatural running, floating body, broken physics, train passing through the man, unrealistic train movement, random camera cuts, unstable character identity, face changing, warped hands, deformed legs, overexposed lighting, text artifacts, watermark, logo, subtitles.

A professional product commercial, high-quality cinematic shots. Start with close-ups of fresh, dew-covered banana leaves and a vibrant bunch of yellow bananas hanging on a tree in a sunny, tropical plantation. Transition to a close-up of smooth, blended banana puree swirling into golden, thick, viscous honey in a macro shot. The camera pans smoothly to reveal a luxury skincare set (the "MUMUKI" collection) consisting of a bottle of Bubble Mask, an Ampoule serum, and a Capsule Cream, sitting on a wooden surface surrounded by slices of fresh bananas and honeycomb drips. Soft, natural lighting, warm aesthetic, high-end skincare branding, 4k, slow motion

glass filled with ice cubes in slow motion. The liquid swirls beautifully around the ice creating a tempting marbled effect. 9-12 sec: Top-down view of the glass as the creamy coffee mixes with ice, creating beautiful swirling patterns. Then medium shot: the woman gently stirs the iced latte with a golden straw, smiling softly. 12-15 sec: She lifts the glass with both hands, brings it close to her face, inhales the aroma with eyes closed in pleasure, then takes a sip. Final shot: Golda bottle and finished iced latte glass side by side on the table. Elegant text appears: "Nikmatnya Lembut, Bikin Hari Makin GOLDA!" in stylish white font. Ultra-realistic, smooth transitions, appetizing food commercial style, warm color grading, premium product focus, 15 seconds total duration, vertical 9:16 format for social media.

Create a 15-second ultra-realistic cinematic skydiving video using the uploaded photo as the exact character reference. The person's face must remain identical to the uploaded image throughout the entire video. Preserve facial structure, eyes, nose, lips, jawline, skin texture, hairstyle, and overall identity with maximum consistency. No face changes, no beautification, no age changes, no identity drift. The person is wearing a realistic skydiving jumpsuit and a visible parachute backpack securely attached to their back before the jump. The parachute bag should be clearly visible in multiple shots. Scene 1 (0–3s) Inside an aircraft at high altitude. The person stands near the open aircraft door wearing the parachute backpack. Wind blowing naturally. Close-up cinematic shots of the face, hands adjusting straps, and the parachute pack. Bright blue sky and clouds outside. Scene 2 (3–8s) The person slowly exits the aircraft and begins a controlled, graceful freefall. Do not make the fall appear excessively fast. Create the feeling of floating through the sky. Use smooth cinematic slow-motion photography. Camera angles: •Front-facing shot with face clearly visible •Side profile shot •Camera above looking downward •Camera below looking upward toward the person against the blue sky •Wide aerial shot showing the vast landscape below The parachute backpack remains visible and realistic. Scene 3 (8–11s) Alternate between: •First-person POV looking down at Earth •Ultra-wide aerial shots showing rivers, forests, valleys, clouds, and distant mountain ranges •Close-up shots of the person's face enjoying the experience The descent feels calm, smooth, and majestic rather than extreme or aggressive. Scene 4 (11–13s) The parachute opens smoothly. Realistic canopy deployment. The person gently glides through the air above a beautiful green meadow surrounded by mountains. Golden sunlight, cinematic atmosphere, floating sensation. Scene 5 (13–15s) Soft landing in a lush green meadow with mountains in the background. The person removes one hand from the parachute controls and walks toward the camera naturally. Dialogue (natural lip sync): "That was a good adventure. Try this." Cinematography •Hollywood adventure film quality •Ultra-realistic live-action footage •Slow-motion aerial photography •Smooth drone movements •Camera above, below, side, front, and POV perspectives •Blue sky, white clouds, breathtaking Earth views •Green meadow landing zone •Mountain panorama •Natural lighting •Realistic wind interaction •Professional color grading •4K cinematic quality Identity Lock •Face consistency: maximum •Identity preservation: maximum •Same person in every frame •No facial modifications •No face swapping •No AI beautification •No age change •No hairstyle change •No facial flicker •Face clearly recognizable throughout the video Negative Prompt: face change, identity drift, different person, facial distortion, face flickering, blurry face, cartoon, anime, low quality, unrealistic parachute, missing parachute backpack, extreme fast falling, deformed anatomy, duplicate person, altered hairstyle, altered skin tone, AI artifacts, unstable character appearance, inaccurate facial features.

Generate a 14-second ultra-high-quality cinematic 3D CGI animated short film in the exact visual style of Pixar Animation Studios short films (Inside Out, Up, Soul). Highly detailed character models with expressive facial animation, squash-and-stretch for comedy timing, realistic cloth physics, hair simulation, and subtle particle effects. Vibrant yet natural color palette, professional cinematic lighting with smooth day-to-night transition, depth of field, and sharp textures on skin, fabric, wood, and metal. Flawless multi-shot editing with natural cuts and consistent character design across all shots. STORY & HUMOR: A light-hearted, relatable comedy about the classic "I'll be ready in one minute" trope. A man waits for his partner outside the house. What she calls "one minute" turns into an absurdly long time, shown through parallel editing and a dramatic visual time-lapse gag. The punchline is the massive contrast between the fresh, glamorous woman and the comically aged, exhausted man who has been standing in the exact same spot. CHARACTER DESIGNS (strict consistency required): - Young man (early 30s): Caucasian, messy voluminous brown hair, large expressive brown eyes, prominent nose, clean-shaven, wearing a well-tailored navy blue suit jacket, white dress shirt, light blue striped tie, dark trousers, and a black-strap analog wristwatch with white face. Anxious, hopeful, then deeply worried facial expressions. - Elderly version of the same man: Same facial bone structure but dramatically aged — long unkempt gray-white hair, massive flowing white beard reaching mid-chest, tired droopy eyelids, slightly hunched posture from standing for years. Same navy suit now wrinkled and disheveled. - Woman (late 20s/early 30s): Attractive, fair skin, voluminous styled brown hair in a neat updo, wearing a elegant knee-length vibrant magenta/red satin dress with fitted bodice and subtle sheen, red high-heeled shoes, full glamorous makeup with bold glossy magenta lipstick and defined eyes. Confident, cheerful, slightly playful/sarcastic energy. SETTING: Charming suburban two-story house with white columns and siding. Open front door revealing warm interior hallway with wooden floors. Wooden porch floor. Small decorative tree sapling to the right of the door that dramatically grows. Green lawn and neighboring houses visible in background. Large round analog wall clock visible in later shots. Nighttime has cool blue moonlight mixed with warm interior light spilling out. EXACT SEQUENCE & TIMING (guide pacing, cuts, and effects precisely): 0:00–0:02 — Wide shot from inside the house looking out the open front door. Bright daytime. The young man in the blue suit stands on the porch just outside the doorway, anxiously checking his wristwatch. He taps the watch face with his index finger, eyes wide, mouth slightly open. He speaks with a concerned but hopeful male voice, lip-synced perfectly: "Are you ready?" Subtle camera push-in. The woman shouts "One minute" in the background. 0:02–0:05 — Fast parallel editing inserts (quick cuts, dynamic rhythm): - Extreme close-up of the man's analog wristwatch; his finger points at the second hand moving. - Close-up of a woman's elegant hand with manicured nails delicately fastening a large sparkling gold textured hoop earring. - Medium shot of a tidy bedroom: wooden headboard, crisp white pillows and sheets with purple accent pillow, two glowing bedside lamps, folded dark clothing on the bed, framed pictures on the wall. - Extreme close-up of the woman's glossy magenta lips applying matching lipstick from a silver tube, teeth slightly visible. 0:05–0:07 — Back to the man at the door. Lighting has shifted to dusk/blue hour. He looks up from his watch with a big relieved smile, eyes sparkling with hope. 0:07–0:09 — The man's expression shifts to pure worry and disbelief: eyebrows raised extremely high, eyes bulging, mouth agape. Subtle comedic sweat bead animation. 0:09–0:12 — Dramatic continuous time-lapse sequence on the doorway area (camera holds steady but environment and character transform). The young man rapidly ages in place while standing motionless — hair turns gray and grows long, thick white beard rapidly grows down his chest, posture sags tiredly, suit wrinkles. At the same time the small tree sapling next to him grows tall and full of white blossoms. Its roots visibly crack and uplift the wooden porch floor planks. A small bird flies in, builds a nest on the now-elderly man's left shoulder and settles with a tiny chick. The man's eyes slowly close in exhausted patience. The wall clock's hands spin wildly showing hours/days passing. Full night lighting settles with cool moonlight and warm interior glow. Subtle floating time/dust particles. 0:12–0:14 — Wide establishing shot of the full comedic scene at night. The elderly long-bearded man stands wearily in the open doorway, bird nest on his shoulder, eyes half-closed in patient resignation. From the brightly lit interior on the left, the woman finally steps out gracefully onto the porch in her stunning magenta dress and red heels. She looks completely fresh, hair and makeup perfect. She places one hand on her hip, gestures outward playfully with the other, and speaks in a cheerful, upbeat female voice with light sarcasm, perfectly lip-synced: "Okay, let's go." She strikes a confident pose. The man delivers the final line with a disappointment and slight head tilt: "Good thing I didn't make other plans." Final wide shot holds on the absurd contrast: radiant woman vs. comically aged, bird-nested man, cracked floor, blossomed tree, and sparkling text. Gentle sparkling particles around the text. Perfect comedic timing and emotional payoff. TECHNICAL REQUIREMENTS FOR SEEDANCE 2.0: - Native multi-shot cinematic storytelling with seamless cuts and consistent characters/environment. - Native audio generation with perfectly synchronized lip-sync for all dialogue. - Precise control over camera movement, lighting transitions, and the rapid aging/time-lapse morphing effect. - High motion stability and physics accuracy (cloth, hair, roots cracking wood, bird movement). - No extra text, logos, or watermarks. - Professional color grading, cinematic depth of field, and high production value. - Maintain exact character consistency between young and elderly versions of the man (same underlying face structure). Style reference: Pixar short film quality, warm relatable humor, perfect comedic timing, visually rich and emotionally clear storytelling.

Create a 15-second cinematic vertical animated commercial video in a premium 3D animation style. Aspect ratio: 9:16 vertical Duration: 15 seconds Style: high-end animated movie quality, realistic 3D characters, cinematic lighting, dynamic camera movement, commercial advertisement aesthetic. Story: A futuristic neon city at night. A charismatic hero character walks through the glowing streets in slow motion. The camera starts low and rises dramatically as the hero enters. The city reflects colorful lights on wet pavement. The hero looks exhausted and thirsty. Close-up shot shows sweat, dramatic facial expression, and heat waves around him. Suddenly he discovers a glowing strawberry-flavored drink can on a futuristic pedestal. The can shines with magical energy, sparkles, and cinematic light rays. The hero instantly rushes toward it with incredible speed. Use dynamic tracking shots, motion blur, anime-style speed effects, and dramatic camera movement. The hero grabs the can in slow motion. Strawberry particles, bubbles, and sparkling liquid droplets float around the product. The hero opens the can. A massive fizzy explosion bursts out. He takes a refreshing sip. His expression changes into pure excitement and energy. A strawberry-powered transformation begins. A tornado of strawberry energy surrounds him. The city becomes brighter. The hero lands in a powerful superhero pose. Final shot: A premium product packshot. The strawberry drink can fills most of the frame. The hero stands beside it confidently. Floating strawberries, bubbles, glowing particles, luxury advertising lighting. Camera style: cinematic Hollywood animation smooth camera transitions macro product shots slow motion moments dynamic tracking dramatic zooms 360 orbit movement Quality: ultra realistic 3D animation premium beverage commercial high detail textures cinematic depth of field 8K render quality professional VFX studio advertisement look End with bold tagline: “BURST INTO STRAWBERRY FUN!”

[Style] National Geographic Wildlife Documentary, IMAX film quality, 4K ultra-HD, photorealistic, high-frame-rate slow-motion [Duration] 10 seconds [Scene] Rocky cliff on a snow mountain at 4,500 meters elevation, thin snow covering a gray-white gravel slope, with a backdrop of continuous bluish-gray mountain ridges, overcast sky, snow particles whipping sideways in the wind [00:00-00:04] Shot 1: Ambush (Telephoto Close-Up, 600mm) Super telephoto close-up: A snow leopard crouches behind a rock, revealing only half its face and front paws. The wind tousles the fluffy gray-white long fur on either side of its cheeks, with ice crystals clinging to every hair tip. Its amber iris suddenly contracts its pupil—it has locked onto its prey. The front paws silently tense, the rough texture of the paw pads clearly visible. [00:04-00:07] Shot 2: Burst (High-Speed Tracking, 240fps Super Slow-mo) Side high-speed tracking shot: The snow leopard launches from behind the rock, limbs fully extended into a straight line, spine arched and coiled with power. In the instant its hind legs push off the rock face,碎stone and snow dust scatter in a fan shape. Super slow-motion captures: The tail arcs through the air like a thick rope to maintain balance, while the white long fur on its belly billows in the airflow. [00:07-00:10] Shot 3: Strike (Extreme Close-Up, Macro Lens) Extreme close-up: The instant the snow leopard's front paw slams the ground, its five toes splay open, curved black claws piercing the thin snow layer, sending fine ice crystal particles flying across the lens (shallow depth of field blur). Freeze-frame on the moment the claw tip sinks into the snow surface, revealing the cold light glinting off the curve of the claw hook.